General Meeting. March 7th. 2023. Outcomes

General Meeting. March 7th. 2023. Outcomes

Meeting 7th March 2023. Outcomes

2. Meetings.

The following proposals for meeting times were approved:-

Venue. The venue of this meeting, Sharrow Community Forum.(when available)

Days. Midweek. Tuesday, Wednesday, Thursday.

Time. Evening, but starting a little later. 6.30. Meetings to be usually 1 ½ hour duration.

Number of meetings and which month of year. The constitution states we should have 4 meetings per year, including the AGM. Generally members felt this was too many. At least one was agreed upon, in the Autumn. We do have to have this meeting as we have engaged for Rosemary Watson to give a talk and presentation this year. Jean B will book two hours at this time for Rosemary’s talk and then, afterwards, any business that needs addressing.

Purpose for meeting. It was recognised that meetings for business and talks/presentations/ demonstrations should occur.

 Jean B. suggested other purposes for meetings such as pricing of goods, packaging of prints and framing. These areas with our more inexperienced printmakers in mind and also because we have two major exhibitions coming up. She suggested (and will offer) informal meetings in small groups for interested people.

The general dissemination of information about how SP works to new members was discussed and the possibility of a pamphlet was mooted. The members area of the website could also be used in this regard.

Please get in touch with Jean B. if you have any ideas in this area. 

During the discussion the payment of printmakers offering talks and presentations etc was brought up. A proposal was made to the effect that although we will have to pay external speakers SP members are to give their services free. This proposal was passed unanimously.

Comment from co chair. The parameters for meetings are not set in stone and may be disregarded for an important issue.

 3.A.G.M

Jean B. gave the following information in preparation for the A.G.M.

She is happy to continue as chair and will do this solo.

Jo Pye is happy to resume the role as secretary. 

Peter York has accepted a new role tentatively called ‘Artistic Adviser’ for exhibitions.

Sarah Burgess will continue to be Exhibitions Officer until the A.G.M in 2024. She will resign at this point. The role of Exhibitions Officer is huge and specialised. We need to address this issue as a matter of urgency so that a replacement might work alongside Sarah this year.

There will be the following vacancies for 2023.

Publicity Officer. Publicity is also a large area that needs coordinating if we wish SP to be ‘known’ to a wider public and we want to sell prints. 

Membership Officer.

Jean B. also said that if member(s)  wanted to take over as lead person to apply for (and run) a promotional stall at Sheffield Print Fair they would be welcome.

She also would like to see a new lead person(s) for the 20:20 print exchange.

Note from Jean B. All these roles can be filled in various ways and further discussion will take place at the A.G.M. I would wish for as many members as possible to be involved in the organisation of SP.

4. In the Autumn of 2022 Jean B. sent out a protocol for the run up to exhibitions. ( It also works for other events). The protocol given was accepted with the following provisos.

It will be reviewed at the end of the year.

Members will be asked to pay the fees for an exhibition (and event) at the time they commit to taking part.

Certain words and phrases were improved upon. The resultant document:

  1. An early date should be set (especially if this is a new exhibition/ event) to ask all members to declare an interest in participating. This is so that a rough guide to numbers can be ascertained and therefore whether the event is viable.
  2. A deadline is to be set for members to express, their definite participation.

            The deadline date and any relevant information should be sent to all members again.

  1.  Members should send their application by the deadline, in writing, to the person organising the event. Also members should pay the fee to take part at this time.(details to be given by event organiser)
  2.  The deadline date will be placed on the website in the calendar. One reminder by email    is to be sent a few days before the deadline.
  3. All members who wish to do so should be included in an exhibition if they meet the above deadline. They should be encouraged to meet the necessary criteria well before the deadline. New members will possibly need extra help in preparing work for an exhibition and should be given this through the website and/or extra, smaller meetings.
  4. Curators should have a flexible and inclusive approach to meet point e.
  5. Instructions for exhibitions/events should be brief and clear.

5.Social Media.

Social Media was acknowledged to be essential as part of publicity with regular (weekly?) posting on all our platforms necessary, with extra activity on the run up to events. Our platforms are:-

Twitter. Sue U. has volunteered to do this for a further year. Thankyou.

Instagram. Val V. volunteered to set up our own instagram.

Facebook Print talk. Angela H. volunteered to post promotional material on this site.

Facebook. This platform still has to be sorted. (see below)

Since this meeting Jean B. has asked Val to hang fire on setting up a new Instagram account. Our social media has been in a bit of a mess in 2022 and not functioning efficiently. This is because of a history of past members setting up accounts using their own details to log in.

(telephone, email etc. Jean is in the process of ways of setting up accounts that are SP specific.

This has to be discussed at theSteering Group and she will update  the membership at the A.G.M.

6. Website.

We can now put the titles onto member’s images in their gallery. Jean B will contact members in batches  to do this. 

The password for the members only area is  sh3ffPr1nt. There is not much in this area at the moment and a discussion needs to take place on what we wish to have in there. Suggestions are welcome.

 7.Peter Y could not be present and passed on a short message to the effect that:-

  1. The advert has gone into Open up and the fee has been paid.
  2. I have had expressions of interest from 20 members.
  3. Later this week I will be emailing them to give further details.
  4. I will include pictures from last year for people who have never taken part.

Note from Jean B. I will be running an SP promotional stall at this event if anyone would like to join me for all or part of the weekend. Angela H has expressed an interest in this.

8. Sarah B. gave us a talk about Dronfield in 2023, the Sock gallery exhibition and the exhibition at Buxton. This is in a further attachment on the email.

Sheffield Printmakers Upcoming Events

Sheffield Printmakers Upcoming Events

2024

Walled Garden at Meersbrook Park. 4th to 6th May

An Exhibition at the Art House. 5th to 27th of July.

Pop Up Shop in Sheffield Winter Gardens . August 5th to11th

Sock Gallery Exhibition.  5th September – 12th October.

Dronfield Barn  Exhibition 2.   4th December – 10th December.

Walled Garden event and Pop-Up shop dates to be added.

2025

A proposed exhibition at Dronfield Hall Barn. 4th to 10th March.

Dronfield Barn Exhibition.  24th November – 7th December. (Should include Christmas lights switch on at end of November)

Walled garden and Pop-Up shop dates to be added.

Cintia Stammers

Cintia Stammers

I have been experimenting with printmaking for many years, in particular with collagraphs, dry point and monographs.

I moved to Sheffield in 2022 and have continued with my interest in representing nature. Here, instead of mountains and the sea, I have returned to trees as my main subject. The idea of sustainable art appeals to me. I have used driftwood both as a ground and as a printing plate, and I sometimes print on homemade recycled paper.

After finishing school in Sao Paulo, Brazil, I went to art college for two years and also studied printmaking and painting at the studio of Loi Portinari’s. Later, I qualified as an English teacher, and Art became a privilege, a hobby, but I never stopped drawing and painting when time allowed. Later still, I attended an art and design course offered by the University of the Highlands and Islands of Scotland. I was also a member of the Portree Printmakers group.

I have taken part in exhibitions in Brazil, London, Essex, Brighton and Portree, on Skye.

Annetta Lambert

Annetta Lambert

Email. lambert137@btinternet.com

I started printing about six years ago, whilst in retirement, having always been interested in other aspects of art. I have throughout my life enjoyed painting, drawing and general crafting etc, but had never tried printmaking. I attended Peter York’s workshops for a couple of years where I mainly concentrated on lino print and intaglio with perspex plates. I really enjoyed both processes and found that cutting into a block or etching onto a perspex sheet very relaxing and calming.

I have recently started printing again at home, both intaglio and relief but using the old fashioned method of pressing with a small baren or a spoon. The results are very unpredictable but when I manage to pull a good print it is extremely rewarding and always great fun.

My prints tend to be inspired by my love of nature, in particular flowers. I also enjoy planning and executing abstract designs. The black and white abstract print below is one of the early lino prints that I did at Peter’s.

I am still exploring and enjoying all aspects of printmaking like colour, techniques, subjects etc. and have not developed a particular style.

Louise Vickers

Louise Vickers

Please click here for examples of my work.

My introduction to printmaking was through etching many years ago but I have recently returned to it via linocut. I enjoy the mindful process of cutting the lino and rolling the ink. 

I have recently joined Sheffield Printmakers as i would like to meet others who also enjoy printmaking and hopefully learn from their knowledge and experience. 

I would like to expand my techniques into other areas, the textures of collagraph are interesting me at the moment.  The inspiration for my images has mainly been nature but I would like to try larger images of landscapes and cityscapes. 

Please click on any image below for more details.

Exhibition

Kath Holland

Kath Holland

Please click here for examples of my work.

I am inspired by storytelling that can be both imaginative and influenced by real life stories/events.

They are colourful, imaginative and expressive. I produce both figurative and abstract work, which are often inspired by nature. In my subjects of nature, I am also interested in animals and their relationships to nature and the flora and fauna that co-exist.

I use a variety of techniques such as dry point, monoprint, collagraph, linocut. Exploring different printmaking techniques offers the possibilities of creating expressive images. 

I often combine dry point and monotype techniques and use a painterly approach to applying the colours.

Please click on any image below for more details.

Exhibition

Alex McArthur

Alex McArthur

Email: speenoch@yahoo.co.uk

www.alexmcarthur-art.com
www.facebook.com/AlexMcArthurArtist/
www.instagram.com/alexmcarthur_art/

Please click here for examples of my work.

Sheffield is the adopted home of contemporary painter and printmaker Alex McArthur and where she has established her art practice in
drawing, painting and printmaking. Skies, trees and water have inspired her for as long as she can remember. Her favourite printmaking technique is monotype, for the spontaneity and experimentation it allows and for the surprises in colour form and texture that it engenders.
Alex’s paintings and prints are where memories and imagination merge in wide open spaces and the natural world. Strong contrasts are present in her work; stillness and movement, space and restriction, colour and monochrome, form and abstraction. Alex has exhibited her work at home and abroad and early in 2020 had her first solo show. Some of her prints can be viewed at All Good Stuff, 72 Arundel Street, Sheffield.

Please click on any image below for more details.

Exhibition

Jean Brookes

Jean Brookes

Please click here for examples of my work.

Since retiring from teaching Science, I have taken up printmaking and have spent a few years working at Peter York’s workshop exploring colour and shape. On the whole I have been using the intaglio technique with dry-point card to produce a variety of abstract prints. Given my scientific background, many of these prints have been based on biological themes. E.g. mycelium, cell structure and crystalisation. Recently while still keeping an abstract and impressionistic feel, I have been exploring ways of producing prints about more immediately recognisable subjects. My inspiration for these comes from my interest in walking in the countryside. My prints of coastal, agricultural and mountainous scenes are examples of this.

Recently, in 2023, I have begun to learn linoprinting.

Please click on any image below for more details.

Exhibition

Sue Unwin

Sue Unwin

Profile

Email unwinsj@gmail.com

Instagram. sueunwinprint

Most of my printmaking is developed from sketches made on walks around the Sheffield area, my work is inspired by nature, experimenting with both colour and texture. I often overprint my images with the base created from either plaster plates or mono-prints textured by pressed leaves, grasses, flowers and seed heads or using chine-colle tissue paper coloured up with printing inks. The top images are generally from Lino-cuts or drypoint or re-using the base image in another direction. Other images have been formed using intaglio printing on a parcel tape etched plate. These methods are all very exciting because it is impossible to determine exactly how the final print will look.

Please click here for examples of my work.

Please click on any image below for more details.

Exhibition

Jo Eckersley

Jo Eckersley

Please click here for examples of my work.

I have been doing linocuts for about five years. I don’t have a background in art, so it’s been really exciting building up a few skills in printmaking. In my first successful print I drew on scenes from Edward Lear’s nonsense poem The Pobble Who Has No Toes. During lockdown I made my niece a retelling of The Incy Wincy Spider, using linocut and collage techniques. 

I joined Sheffield Printmakers in 2021 and have learnt a lot from other members. This year I felt really inspired by the landscape around where I live, and I made a series of prints of the Heeley and Meersbrook Allotments. I love the colours and use of line in Edward Bawden’s work so spent some time studying his prints while I was working on my designs. 

I am a self-taught linocut, printmaker I love the process of printmaking, the physical labour of love when carving out designs and then the completely separate ‘wow’ moment of revealing the work in ink.

I am inspired by the city we live in, and spaces where the built environment collides and complements the natural world. I get inspiration from long walks as much as from galleries and books.

Please click on any image below for more details.

Exhibition